Sass & Bide
FRIDAY 19 FEBRUARY 2011
SASS AND BIDE
“TOUGH, GRAPHIC AND TRIBAL.”
– PETROS PETROHILOS
“TOUGH, GRAPHIC AND TRIBAL.”
– PETROS PETROHILOS
EYES:
GLOSS TEXTURE – APPLY WITH FINGERS TO EYELIDS
AND UP TO BROWS
FACE:
STROBE CREAM - HIGHLIGHT CHEEKBONES AND TEMPLES
FACE AND BODY FOUNDATION – APPLY TO CORNERS OF NOSE, UNDER
EYES AND CENTRE OF THE FOREHEAD
PREP + PRIME TRANSPARENT FINISHING POWDER AND INVISIBLE
SET POWDER – COMBINE AND APPLY TO THE CENTRE OF FACE
GLOSS TEXTURE – APPLY TO CHEEKBONES
LIP:
MEDIA LIPSTICK – APPLY WITH 223 BRUSH
CREMESTICK LINER IN VELVET - BLEND EVENLY
MEEOW LIPGLASS – APPLY ONE TOP COAT FOR ADDED SHINE
FELDER FELDER
“IT’S A ‘SUMMER MAKEUP IN A WINTER PALETTE’ - THERE’S A GOTHIC
SENSIBILITY (INSPIRED BY DRAKULA) YET STILL A REAL
LIGHTNESS AND SOFTNESS TO THE LOOK.”
– GEORGINA GRAHAM
SENSIBILITY (INSPIRED BY DRAKULA) YET STILL A REAL
LIGHTNESS AND SOFTNESS TO THE LOOK.”
– GEORGINA GRAHAM
EYES:
PRO COLOUR CORRECTOR CONCEALER IN OCHRE AND CARAMEL
– APPLY IN SHEER ‘SQU-OVAL’ SHAPE
SILVER DUSK IRRIDESCENT POWDER – BUFF INTO THE CENTRE
OF THE LID AND INTO INNER CORNERS
FACE:
PREP + PRIME FACE PROTECT SPF 50 – APPLY AS A PRIMER
FACE AND BODY FOUNDATION
SILVER DUSK IRRIDESCENT POWDER – BLEND ALONG THE
BRIDGE OF NOSE AND CUPID’S BOW
LIP:
CUNNING OR DESIRE LIPSTICK - DAPPLE ONTO
LIPS FOR A LIGHT STAIN
SATURDAY 20 FEBRUARY 2011
CHARLES ANASTASE
“CHARLOTTE RAMPLING IN THE SEVENTIES: SHE HAD A STRENGTH
ABOUT HER BUT WAS ALSO EXTREMELY ELEGANT.”
– SALLY BRANKA
ABOUT HER BUT WAS ALSO EXTREMELY ELEGANT.”
– SALLY BRANKA
EYES:
FLUIDLINE IN BLACKTRACK - APPLY WITH A 266 BRUSH ALONG THE TOP LASH LINE
FACE:
SELECT MOISTURECOVER CONCEALER – BUFF ON WITH A 187 STIPPLE BRUSH
MINERALIZE SKINFINISH AND SCULPTING POWDER IN BONE BEIGE – APPLY LIGHTLY
POWDER BLUSH IN DAME – BRUSH ON TO THE APPLES OF THE CHEEK
LIP:
LIP PENCIL IN VINO - FILL IN LIPS DEFINING CUPID’S BOW
LIPMIX IN CRIMSON – BLEND OVER THE LIP PENCIL
HOUSE OF HOLLAND
“THE INSPIRATION FOR THE CLOTHES AND HAIR IS ‘GHETTO GIRL FROM QUEENS,’ SO WE WANTED TO TAKE A STEP BACK WITH THE MAKEUP: IT’S SIMPLY BEAUTIFUL, TANNED AND GLOWING.”
– LUCIA PICA
EYES:
CREAM COLOUR BASE IN MID-TONED SEPIA – BLEND OVER THE LIDS AND BENEATH THE LOWER LASHES STUDIO FIX LASH IN STUDIO BROWN – COMB THROUGH THE TOP LASHES ONLY
FACE:
FACE AND BODY FOUNDATION - APPLY ONE SHADE DEEPER THAN NATURAL SKIN TONE CREAM COLOUR BASE IN BRONZE AND MID-TONED SEPIA - MIXED TOGETHER AND BUFFED INTO THE CHEEKBONES, TEMPLES AND FOREHEAD WITH A SOFT 168 BRUSH BEAUTY BALM, OR MINERALIZE ALL OVER LOTION - SMOOTH OVER CHEEKBONES, COLLARBONES AND ON THE INNER CORNERS OF THE EYE
LIP:
LIP CONDITIONER
MARY KATRANTZOU
“IT’S AN 18TH CENTURY ‘DANGEROUS LIAISONS’ WOMAN RIGHT NOW.
IT’S A DARK, DANGEROUS LIP WHICH GIVES THE FACE
THAT PAINTERLY EFFECT.”
– VAL GARLAND
“IT’S AN 18TH CENTURY ‘DANGEROUS LIAISONS’ WOMAN RIGHT NOW.
IT’S A DARK, DANGEROUS LIP WHICH GIVES THE FACE
THAT PAINTERLY EFFECT.”
– VAL GARLAND
EYES:
BASIC RED PIGMENT – WASH COLOUR IN THE SOCKET AND FADE OUT FOR A SOFT PINK TINT IMPECCABLE BROW PENCIL IN TAUPE - DRAW ON HALF A BROW, FROM THE HIGHPOINT OF THE ARCH AND TAPER TO OUTER EDGE EYE KOHL IN FASCINATING – GENTLY RIM LOWER LIDS
BASIC RED PIGMENT – WASH COLOUR IN THE SOCKET AND FADE OUT FOR A SOFT PINK TINT IMPECCABLE BROW PENCIL IN TAUPE - DRAW ON HALF A BROW, FROM THE HIGHPOINT OF THE ARCH AND TAPER TO OUTER EDGE EYE KOHL IN FASCINATING – GENTLY RIM LOWER LIDS
FACE:
STUDIO MOISTURE FIX SPF 15 – MASSAGE INTO SKIN
STUDIO FINISH CONCEALER – APPLY SPARINGLY
STUDIO MOISTURE FIX SPF 15 – MASSAGE INTO SKIN
STUDIO FINISH CONCEALER – APPLY SPARINGLY
LIP:
LIP PENCIL IN CHERRY – SMOOTH OVER THE LIP AS A BASE COAT
PIGMENT IN BASIC RED – SOFTLY POWDER THE LIPS
LIP PENCIL IN CHERRY – SMOOTH OVER THE LIP AS A BASE COAT
PIGMENT IN BASIC RED – SOFTLY POWDER THE LIPS
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